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‘Happy Union’ (2013) by Matt Smith, Walker Art Gallery, Liverpool

Museums can be so straight at first sight. But it doesn’t take too long looking at these characters to realise that the one in a dress has rather impressive sideburns, mutton chops even. Subverting and celebrating at the same time, Matt Smith used a traditional ceramic form to mark the equalisation of marriage in 2013. Men can marry men and men can appear on ceramics wearing whatever they like. In a case surrounded by polished ceramics that only portray a heteronormative view of the world, this object is a delightfully queer reinterpretation of historic ceramic pots.