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Spoofed

In Uncategorized on September 29, 2016 at 9:28 am

Oh dear, I think I’ve been hacked. Well, technically ‘spoofed’.

A few people contacted me recently to say they’d received suspicious messages from my email address. Of course the first thing I did was panic. And then I calmed down, changed my passwords and completed gmail’s very helpful security checklist.

But then the messages kept on coming.

It seems that I’m not necessarily the victim of a hacker, more of a spoofing attack.

Google describe it really well:
“When you send a letter through the post, you generally write a return address on the envelope so the recipient can identify the sender, and so the post office can return the mail to the sender in the event of a problem. But nothing prevents you from writing a different return address than your own; in fact, someone else could send a letter and put your return address on the envelope. Email works the same way. When a server sends an email message, it specifies the sender, but this sender field can be forged. If there is a problem with delivery and someone forged your address on the message, then the message will be returned to you, even if you weren’t the actual sender.”

And that appears to be what’s happened. I’ve taken the precautionary measures that Google suggest I follow, but even they admit that spoofing can’t be stopped 100%. They assure me they’re on to it, but if you receive an email from me in error in the meantime, I’m sorry (on behalf of someone or something out there who’s using my name).

If you have any top tips on what else I might do to prevent this happening any more, I’m all ears.

Are museums good for your health?

In Museums on September 6, 2016 at 2:34 pm

If you’re poorly, it’s likely that your doctor will tell you to take some medicine. We’re used to receiving a prescription, taking it to the chemist and collecting our cure. And it’s also common for healthcare professionals to prescribe other things, such as therapeutic measures – physiotherapy, advice, counselling etc.

Today doctors were encouraged to give overweight patients ‘green space’ prescriptions to get them exercising outdoors.

But what about a trip to a museum? Have you ever heard of a doctor telling you to go see the dinosaurs or Egyptian mummies in order to effect health benefit?

It turns out it’s happening already. As part of what’s called ‘social prescribing’, healthcare professionals are directing patients to take part in activities that promote wellbeing.

Museum reminiscence projects have been helping to support people with dementia for years. Reminiscence allows people to focusing on what they have got, not what they have lost and to keep memories alive.

There’s a fair bit of interest in this area of work. University College London is part way through a three year Museums on Prescription research project (2014-2017) which is exploring the value and role of museums in social prescribing.

And there’s evidence out there already to suggest that increasing understanding and empathy for those living with and caring for people with dementia helps to promote care and compassion in the healthcare workforce.

But let’s remember that the wellbeing agenda has been a part of museum learning thinking for quite a while now. Individual museums have been delivering wellbeing projects in all but name since their inception.

A good example of this is the Art Museum in Ancoats led by Thomas Coglan Horsfall (1841-1932). The museum was a direct response to the work of John Ruskin (1819-1900) and an articulation of Horsfall’s commitment to a belief in the personal and wider social benefits of appreciating beauty through art.

Indeed, Ruskin opened his own museum in Sheffield for steel workers to visit on their days off, partly for their artistic education, but also as something pleasant to do and to feel good about themselves.

But many museum activities around wellbeing have simply been going under the radar.

It’s perhaps that work like this has been defined in a museum context, not in health context that news of it has been limited to cultural spheres. The links to the wellbeing impact that a museum visit might have, have not been made as explicitly as they could have been, or in terms that are relevant to the healthcare sector. Instead, this work has developed organically in museums and galleries, often driven by the aspiration to grow and respond to new audiences.

And so it’s really pleasing to learn there’s work now being done to join the worlds of healthcare and heritage together, to create a common language that professionals from both sectors can understand.

Imperial War Museum North’s if: Volunteering for wellbeing programme is the first major project to measure the impact of responsible volunteering in the heritage sector. The research uses a methodology called ‘Social Return on Investment’ to measure improved wellbeing in participants. The ongoing evaluation project will explore how volunteering can combat social and economic isolation and articulate the benefits for individuals, organisations and society.

The evaluation is seeking to find out exactly how the if: Volunteering for wellbeing project promotes individual wellbeing and how specifically volunteering in heritage venues contributes to this.

Using evidence like this, healthcare professionals and museum professionals will have more opportunities to link their work together. This could certainly be of benefit to the NHS, which is always looking for new methods of treating patients outside hospitals and other traditional healthcare spaces. It could benefit museums, who get to use their buildings and collections in new ways and demonstrate their relevance to society. And, most importantly, it’s of benefit for patients, who are able to access wellbeing healthcare in a new way too.

For those of us working in the heritage sector, we understand the feel-good factor that can come from a museum visit. Here’s hoping research like this will allow more people get to experience that too.

Exhibiting invisible objects

In Museums, Uncategorized on July 29, 2016 at 11:46 am

When we’re planning museum exhibitions one of the obvious starting points is the object list. We talk through the options for what we are going to put on display for the public to see.

But what happens when the subject of the exhibition isn’t visible to the naked eye?

Graphene is an incredibly thin wonder material – a million times thinner than paper but 200 times stronger than steel. It’s just one atom thick, which makes mounting an exhibition about it rather difficult.

Wonder Materials has just opened to the public at the Museum of Science and Industry in Manchester. It seeks to explain and interpret graphene for a general audience. There’s been a lot of chat about graphene in recent years, since it was discovered a decade ago. But I wonder whether most of us really understand what it is.

A really simple, but effective, interactive shows a series of rubber sheets of blown up atoms on top of one another. Visitors are invited to peel the top layer off, replicating what the Nobel-prize winning scientists did when they isolated a sheet of graphene. It’s a really simple and effective way of showing us that this material is super thin, whilst also remind us that it’s super strong. By engaging our sense of touch, we are invited to feel the experience of splicing off a layer of graphene, rather than just reading about it on a text panel.

I wrote a piece about the exhibition on Northern Soul this week.

In this case, the subject of the exhibition meant that the objects selected for display were all going to have to be illustrative of graphene, rather than made if the material itself. That’s quite a challenge.

A key part of the museum interpretation process is thinking, at the early stage of exhibition development, not only what we will put on display, but also what story will those objects or art pieces tell and how we will interpret that story for visitors. It’s important that we keep their expectations and motivations in mind and that we think about what their visit experience will be like, as well as deciding what to include on the object list, be they visible or invisible.

Wonder Materials: Graphene and Beyond is at MSI Manchester. It’s free and runs until July 2017.